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There are so many ways in which having access to a phone can really limit the work that you’re making. I think in some ways, it hindered a lot of the art that was supposed to happen, but then I don’t know. How does capitalism affect the way that you approach your art? And so I think in order to have what I’m trying to build on those pages, you have to have a really clear spreadsheet of where all these characters are coming from. Are you having sex from this joyous place of opulence where you feel generous of spirit? Are you doing it because you feel anxious and depleted and nervous? Are you doing it for some sort of instant validation you’re not getting in other parts of your life? Whatever type of moral opulence or moral fatigue is going into why you’re ending up in the bedroom is kind of how I wanted to paint that map of what all these characters are doing. And also within these themes are themes of why we are having sex. It decides what neighbourhood you’re in, who you’re going to sleep with, who’s gonna sleep with you, what you’re doing to subsist. I think when you’re writing about sex or love the way I write it, all these things are interconnected. Did you want to deliberately challenge that in 100 Boyfriends? He spoke to PinkNews about how capitalism influences his work, writing his own experience into being, and wanting to be “that bitch”.Ī lot of explorations of queer sex have been really vanilla.
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He wanted to show that sex can be “beautiful”, but also that there’s much about the process that’s “just not fun”.
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Naturally, 100 Boyfriends has already been labelled as “radical” for refusing to look away from queer sex in all its glory – but Brontez Purnell doesn’t view it that way. In fact, it manages to straddle the line between being laugh-out-loud funny and powerfully moving. That might make it sound staid, but 100 Boyfriends is anything but. Over the course of three acts and an epilogue, Purnell interrogates capitalism, class, racism, homophobia and mental illness – all through the lens of man-on-man action.
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Some of the vignettes explore intimacy and love, while others delve into sex that stems from boredom. But I did just buy a package of Pride Oreos, and I don’t even like Oreos (and I’m straight, for what it’s worth).The result is a searing collection of short stories that delves into the intricacies of sex between men. I, for one, would buy it except that there’s no Walmart in NYC, and for obvious reasons, it’s can’t be ordered online. But they decided that their gay and gay-friendly customers are more important. In all seriousness, they could’ve played it safe and not risk offending the Religious Right (rural shoppers are a HUGE part of their customer base). That alone is reason enough to support the product. It’s that simple.Īnd you know what? It pisses off the FRC, One Million Moms, etc. Walmart thinks that there’s consumer demand for it so they manufactured it. Pride ice cream is no different from any other product. But don’t complain that it’s available to others, or ascribe sinister motives for its existence. If you feel exploited, just take your business elsewhere. People can be so petty and whiney sometimes. Also, what in the defund the arts graphic design is going on? /JXqOPjllf6 As my friend said, leave the commemorative ice cream flavors to There would at least be some type of call to action & focus grouped flavor. So…they didn’t stop at a Juneteenth flavor. Think of the $$ they saved having one set of “diversity” graphics /aj4RUV1Bgx You can pick my brain when that invoice is paid. Chiiiiillllleeee is doing the most /00VTIB2o58 This isn’t “wokeness”, it’s corporations trying to profit off of minorities by acting like they care about us įirst the Juneteenth ice cream and now Pride. And black people don’t want Juneteenth ice cream. I promise you, as an LGBTQ+ Walmart employee myself, pride ice cream isn’t something we want. Walmart clearly didn’t learn its lesson from the Juneteenth ice cream I actually can’t tell if this is a gag or not